Women of soul showcase talents in rousing White House acts


Queen of Soul Aretha Franklin made a point of keeping herself aloof, sending an unmistakable message that she has no equal.



Patti LaBelle brought the guests to their feet with strong, solid and powerful performances that delighted, thrilled and inspired.

By Carmen Glover

While basketball lovers were glued to their television sets on Monday night to watch the UConn men’s team thrash Kentucky for the NCAA championship, PBS aired the Women of Soul special, which was taped at the White House in March to honor Women’s History Month. Those who missed the one-hour special lost out on the chance to enjoy a real treat of performances by the Queen of Soul Aretha Franklin, entertainer extraordinaire Patti LaBelle, Jill Scott, Melissa Etheridge, Janelle Monae, Tessanne Chin and Ariana Grande. The repeat broadcast will air on PBS on Saturday at 3:00 p.m.


The First Family was represented by President Barack Obama, First Lady Michelle and her mother Marian Robinson.

The night got off to an engaging start with President Barack Obama welcoming the guests and sharing why the gathering was convened.

“This is really a good lineup and I want to thank our performers for this evening. They are fantastic,” said the President. “Soul music makes us move. It makes us feel. Tonight we are in for a healthy dose of truth from some of the finest voices there are. I can’t wait.” The excitement emanating from the President’s voice was palpable. He then introduced Patti LaBelle as “a real American treasure.”


President Obama did not hide the joy he felt after being treated to Patti LaBelle’s rendition of “Somewhere Over the Rainbow,” which awed and thrilled at the same time.

Addressing the President and First Lady, LaBelle said. “I want to thank you for the five years you have been in this wonderful home. You have taken us somewhere we’ve never been before.” She then sang “Somewhere Over the Rainbow,’ soaring to heights that were impressive, confident and smooth.

Jill Scott made it clear she was there to party when she sang and danced to Franklin’s hit “Rock Steady” before returning to perform her own hit “Golden.”


Soul Singer Jill Scott performed her hit “Golden.” and Aretha Franklin’s hit “Rock Steady.”

Franklin, the ultimate in diva-like behavior, was the only singer to perform with her own band and backup singers. All of the other performers were accompanied by the house hand. Franklin did not disappoint, belting out “Never Loved a Man,” while the President rocked back and forth to the catchy number, smiling delightedly as the Queen of Soul brought the house down in a flawless performance. Franklin ended the show with a stirring rendition of the gospel classic “Amazing Grace,” that paid homage to her roots.


Patti LaBelle commanded the stage while guests look on in rapt attention.

But the night unquestionably belonged to Patti LaBelle who was warm in her interactions with the other singers, even joining them onstage in performing a tribute to Tina Turner while Franklin was noticeably absent.

tina turner tribute

All of the singers except Aretha Franklin paid tribute to the indomitable Tina Turner.

LaBelle belted out her staple “Lady Marmalade” later in the evening, reaching notes that were as incredible in their range as they were thrilling to hear. She danced, pranced and delivered a spectacular performance that would put singers more than a third of her robust 70 years to shame.


Janelle Monae was a ball of energy and movements as she sang and danced.

The diminutive Monae was a ball of energy as she leapt from one end of the stage to the other while delivering the notes to Shirley Bassey’s James Bond theme song  “Goldfinger” in a voice as clear as a bell. Monae later performed “Tightrope” from the First Lady’s “Let’s Move” album. She enjoyed performing and at one point she knelt on stage, directly in front of the first family, eliciting rapturous smiles and dance moves from the President and First Lady, as they rocked in their seats.


Rocker Melissa Etheridge sang her classic “Only One.”

By the time Melissa Etheridge came to the stage to sing “Only One,” the guests needed no encouragement to make their appreciation known. While Chin lapsed into Jamaican patois as she gave some background about how deeply her love for music is steeped into the cultural mores from the land of her birth.


Tessanne Chin waves to the guests as she walks to the stage .

Chin sang Donna Summer’ “Last Dance” and got into the spirit by dancing to the beat as she moved easily on stage and brought the song to life a style reminiscent of Summer herself.

ariana grande

Ariana Grande was nervous but once she began to sing the jitters fled.

Grande acted every bit her age, greeting the first family with “What’s up. How y’all doing. You okay?” causing them to burst into laughter and acknowledge that yes, they were doing just fine. Grande sang “I Have Nothing,” in honor of her late childhood icon Whitney Houston.

If you are unable to catch the re-broadcast when it airs on Saturday afternoon, set your television sets to record the special. You will not be disappointed.–OnPointPress.net.


Wayne Marshall shows “Tru Colors” in whirwind NYC trip

Reggae singer Wayne Marshall has returned to the dancehall scene with a bang.

Reggae singer Wayne Marshall has returned to the dancehall scene with a bang.

By Carmen Glover

The adage “good things come to those who wait,” has never been more true than what has been exemplified by reggae singer Wayne Marshall, who has made a triumphant return to the dancehall scene with his sophomore album, “Tru Colors” (Ghetto Youths International), eleven years after releasing “Marshall Law” (VP Records). But as far as the smooth-voiced singer is concerned, the timing is perfect and that’s all that matters.

Speaking to OnPointPress.net during a telephone interview from his hotel room on Wednesday, February 26, Marshall sounded relaxed and thankful as he basked in the glow of overwhelmingly positive feedback for “Tru Colors.” The eleven-year wait, Marshall explained, was a matter of divine order. “It’s about waiting for the right time, the right camp, for everything to fall into place,” he said reflectively. “The first CD was just a compilation, rather than doing a focused album, like I did with ‘Tru Colors.’ Now I feel like everything is right.”


From all indications, Marshall’s slow simmer approach has yielded spectacular dividends. “Tru Colors” sits comfortably in fourth place on Billboard’s reggae chart, and with each layer of exposure the album receives, another veneer of excitement  is lavished on the album, which, in turn, fuels even greater interest and industry buzz. As he counts down the hours to his album release party Thursday night at The Delancey in Manhattan, Marshall points to his early musical influences, while simultaneously lauding the expertise of his current producer, Damian “Junior Gong” Marley.

“My biggest musical influence is Bounty Killer,” Marshall stated unequivocally. “As a youth when I was 13, Baby, King Jammys’ son, introduced me to a new artist that his father was working with. That artist was Bounty Killer and I always thought that he was bringing a new flavor to dancehall. When we started working together and he showed me that he liked what I was doing, that felt good.”

L-R: Stephen and Damian "Junior Gong" Marley, who are actively involved in Marshall's triumphant return.

L-R: Stephen and Damian “Junior Gong” Marley, who are actively involved in coordinating Marshall’s triumphant return with his sophomore album “Tru Colors.”

Marshal has collaborated with Bounty Killer, Elephant Man, Sean Paul and Beenie Man in the past. Like he did with his debut effort, Marshall has collaborated with a legion of stars on “Tru Colors,” including Bounty Killer, Ace Hood, Cham, Waka Flocka, Assassin, I-Octane, Vybz Kartel and Tarrus Riley. While Marshall spoke earnestly about the importance of the diversity embodied on the tracks, he was unmistakable in emphasizing that the central component for the success of “Tru Colors” is the hands-on approach taken by the album’s producer, Damian “Junior Gong” Marley.

“Working with Damian Marley is an advantage for any artist because he’s a legendary, excellent, writer, singer and producer: a real triple threat,” Marshall mused. “It’s a dream come true for me to be working with the Marleys because growing up as a youth in Jamaica you saw the Marleys as reggae royalty.” Marshall described Damian as “a perfectionist” who knows the exact sound that he wants. Marshall credits Damian with unleashing his raw, intense, musical essence. “That’s why I call it “Tru Colors” because I think this is me showcasing my true self,” he explained. “It’s been such a long time since the last record that my sound, my lyrics and my style are more refined; a true evolution. Musically I am much more adept at my craft.”

Wayne Marshall is reflective and thankful that his sophomore effort is favorably received.

Wayne Marshall is reflective and thankful that his sophomore effort “Tru Colors”  is favorably received.

But his music is not the only thing that has evolved. Marshall, who describes himself as “very spiritual,” sports long dreadlocks these days, but he distinguishes himself from the Rastafarian faith, and explained that he focuses on solidifying his spiritual base instead. When asked how he is responding to his whirlwind two-day New York City jaunt, Marshall did not hesitate, “I’m enjoying the press coverage. All the media reviews so far have been good,” he said. “Just as the great ones have paved the way for us, this is my opportunity to pave the way for a younger generation.”

Marshall will be touring the United States in April and May with Stephen Marley and Jo Mersa to perform songs from “Tru Colors,” which is a 13-track collection. The album features fan favorites such as “I Know,” “Stupid Money,” “Go Hard,” “Go Harder,” “Be on the Alert” and “Nah Give Up.”  Marshall, who is married to Tami Chynn, the sister of Tessanne Chin of ‘The Voice’ fame, collaborated with his sister-in-law on the “Tru Colors” final track, “On the End.”

For Marshall, “Tru Colors” is his coming-of-age party and he is determined to savor every minute of it.-OnPointPress.net.

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Gifted musician Paul Kastick mentors, develops new singers

imageBy Carmen Glover

The picturesque beauty of the island paradise of Jamaica has nourished, soothed and nurtured many illustrious talents who have dominated on the world stage. From track stars Usain Bolt and Shelly Ann Fraser-Pryce who were named 2013 World Athletes of the Year, to intellectuals spanning many fields, and recent season five winner of “The Voice” Tessanne Chin, Jamaica can effortlessly stake its claim on the diverse talents of its sons and daughters.

Tessanne with her producer Paul Kastick of Groove Galore Muziq and Big Mountain band.

“The Voice’s” Season Five Winner Tessanne Chin with her producer Paul Kastick of Groove Galore Muziq Productions and Big Mountain Band. Kastick and fellow producer Rudy Valentino produced her hit “Hideaway.”

Paul Kastick, an extraordinarily gifted musician who, with fellow musician Rudy Valentino, produced Chin’s resurgent hit “Hideaway,” is poised to dominate 2014 with his diverse skills of producing beautiful music while developing a new crop of singing sensations. Kastick has toured or played on the same shows with some of the elite names in the reggae industry including the 809 Band, Shaggy, Maxi Priest, Diana King, Steel Pulse and Ky-Mani Marley. As CEO of Groove Galore Muziq Productions and a member of Big Mountain Band, Kastick proudly points to his Jamaican roots and his early musical influences as the reasons for his stellar successes professionally and his profound determination to develop new musicians in 2014 and beyond.

Paul Kastick enjoys a light moment backstage with Shaggy.

Paul Kastick enjoys a light moment backstage with Shaggy at New York’s Barclays Center in 2012.

“When I was ten, growing up in Montego Bay, Jamaica, we used to have two marching bands: Montego Bay Boys Club and Tyson. It used to be mesmerizing to me to hear the marching bands coming through,” Kastick said reflectively, while musing about his childhood. “You would drop everything you were doing and just stare. I had an obsession with the bands and seeing the guy throw the drum sticks up in the air.”

Kastick explained how he would walk along the path on his way home from school and peek in on the Boys Club practice sessions. “When I saw a brown-skinned guy, Carlos Gonzalez, playing the drums, I said to myself: ‘He’s good. I could do that one day,'” Kastick recalled. He took his childhood dreams to heart and quickly began to play in his high school band, although he recalled that the band only played “orchestra music” at the time, requiring him to learn to “read music.”

Paul Kastick doing what he loves most, playing the drums.

Paul Kastick doing what he loves most, playing the drums.

Honing his talent while passing time at his late mother’s store, Kastick said he would watch as various bands rehearsed nearby.

“I didn’t have a drum set at the time so I would play on my legs and in the air,” he said, laughing at the fond memories evoked by the imagery. “In 1982 my uncle went to New York for the first time and he came back with a video of MTV Top 40 Countdown. I saw Van Halen, Hall & Oates and the rock music brought out something in me. I started to get obsessed with the music,” Kastick recalled. “The defining moment for me was in 1983 when I joined with Benjy Myaz and we began to learn more about music. Shortly afterwards, Chalice’s album ‘Blasted’ with the hit single ‘Good to be There’ came out and the group’s drummer, Desi Jones, revolutionized the music,” he added.

New York based singer Faraji, is another singer whose upcoming album is being produced by Paul Kastick.

New York based singer Faraji is another intriguingly exciting singer whose upcoming album is being produced by Paul Kastick, who has a knack for producing memorable hits.

As Kastick matured, opportunities opened up to him and he landed a job as the drummer for the in-house band at Seawind Resort in Montego Bay. Throughout the tourist mecca, it was the norm to see Kastick, with his music bag slung casually over his shoulder, clicking his drum sticks in the air or randomly on cans and other surfaces, happily practicing notes only known to him, while residents and tourists simply stared and wondered: Who is that guy?. Kastick was caught up in his own musical realm, visualizing music’s vast terrain, while occasionally indulging in non-music related talk. His immense joy at being around music and being able to live out his passion daily was infectious. Music, unquestionably, was his life.

Belinda, who had a hit single in 1991, is working with Paul Kastick on her upcoming album.

Belinda Brady, who sang backup for Shaggy in the past, is working with Paul Kastick on her upcoming album.

For years, Kastick’s warm-up song was the sweet strains of Priest’s “Wild World,” though as a young man starting out in music, meeting Priest seemed like a far-fetched dream. But Kastick said he looked up one day while rehearsing with 809 Band at 2B Grove Road in Kingston, Jamaica, and saw Priest watching from the door.

“I could not believe it,” Kastick said emphatically, relishing the memory even decades later. A bond easily developed between the two musicians and Kastick has been touring with Priest since 2000.

Priest, who said he considers Kastick “a friend and co-writer,” describes him as “one of Jamaica’s all time greatest drummers both live, and in studio.” In an indication of Kastick’s life coming full circle. Priest, who Kastick admired so much as a young man, said that Kastick is “a true pioneer and I’m honored to have him as family, a member of my band, and a creative entity in my music.”

But it took Kastick many years before he got to the point of touring with mega-stars, running his own music company and producing work for fledgling singers.

Paul Kastick, (second from left) with the members of Big Mountain band.

Paul Kastick, (second from left) with the members of Big Mountain Band.

“In 1985 cabaret singer Dennis Malcolm came to me and Benjy to do a reggae cover version of Brook Benton’s “I Love You in So Many Ways,” Kastick said of the period shortly after he began to work at Seawind Resort. “Dennis was the first person who took us into the studio. I always thought that Benjy and I would be like the great Sly & Robbie team.” But their lives took different paths and in 1989 Kastick auditioned for 809 Band. “Four months later I got a message from 809 to come to Kingston on July 26, 1989 and by that time the Seawind Band was getting lots of attention,” he recalled.

Paul Kastick at Westlake Studios in Los Angeles, California, working with his Big Mountain band members.

Paul Kastick at Westlake Studios in Los Angeles, California, working with his Big Mountain band members.

Kastick’s involvement with the 809 Band led to an exhilarating journey during which he traveled regularly to Japan for the Japan Splash musical extravaganza, where he garnered attention for his talents but most importantly, cemented a loving, supportive and strong relationship with 809 saxophonist Dean Fraser.

“Dean was like a father to me,” said Kastick, who has never met his father. As a father himself, Kastick realizes the important roles fathers play in children’s lives. “When I had off days and would travel to see my girlfriend at the time, Kathy Williams, Dean was the one driving me to see her,” he said. The 809 Band is a highly respected band in reggae music and stars such as Luciano, Sizzla and a host of others have had hits produced by former members of the band.

Paul Kastick is lost in his private thoughts, as he ponders what's involved in producing new hits for his singers.

Paul Kastick is lost in his private thoughts, as he ponders what’s involved in producing new hits for his singers.

As the need for large bands waned in the mid-nineties, Kastick shifted his focus to diversify his opportunities by accepting an offer to tour with Diana King in 1995. He then joined Shaggy on tour in 1996, after first meeting him in 1993 when he played with the 809 Band at the Japan Splash and the band backed Shaggy, Gregory Isaacs and Buju Banton.

“In 1995 Shaggy came back with “Bombastic” but we were on tour in Trinidad with Beres Hammond and Shabba so we were unavailable to tour with him, but the night when Shaggy won the Grammy for “Bombastic” his manager called me and said they wanted to change their band and they wanted me, Michael Fletcher and Christopher Birch to join them,” he said.

After rehearsing for a week in Jamaica in 1996, Kastick and the rest of the band went on world tour with Shaggy, visiting South Africa, Australia, Brazil, Poland, Beirut, Lebanon; Belgium and Germany, among others. He recalled that the South African stop was the most memorable.

“The tour was two years after Nelson Mandela came to Jamaica and I played for him,” Kastick said. “When I landed in Johannesburg I felt like I was coming home to my roots. Maybe it was subliminal based on the history of apartheid.”

Paul Kastick gives his all in his performance.

Paul Kastick savors the power of the music and its impact in transforming the lives of music lovers across the globe as he renders yet another solid performance.

Kastick toured with Shaggy extensively until 1998 on the “Spirit of Unity Tour,” featuring Shaggy, Buju Banton, Steel Pulse, Beres Hammond and Lucky Dube. The tour was a summer tour in the U.S, and it ended in Hawaii. At the end of the tour, Kastick accepted an offer from Big Mountain Band.

“The manager of the band, who I knew from before, called to say the band needed a new drummer to build something solid,” he said of the transition. Joaquin “Quino” McWhinney, lead singer of Big Mountain Band, remembers observing Kastick in 1997 while on a European tour in Amsterdam during the period when Kastick was playing drums for Shaggy.

“We were sound checking at the Milky Way music club when I noticed Paul standing in the middle of the dance hall with his arms crossed, studying us intently,” McWhinney said, while adding that over the past 16 years “Paul became my close friend and partner.” Straddling a blend of reggae that incorporates a variety of styles, McWhinney explained that “Big Mountain is committed to create a sound that does not exclude any racial or cultural community and Paul brought to Big Mountain an extensive array of experiences in reggae music but he also taught us not to be afraid of our American roots.”

Kastick’s decision to accept the offer to join Big Mountain Band changed the trajectory of his career and led him to  producing, which allows him to expand his repertoire by working with new singers to help shape their careers. As Chin basks in the success of winning “The Voice” and continues to enjoy success from the Kastick/Valentino produced hit “Hideaway,’ Kastick is firmly focused on developing two singers who have enjoyed modest acclaim on their own: Belinda Brady and Faraji.

Paul Kastick shows that deep concentrating is necessary for a great show.

Paul Kastick shows that deep concentration is necessary for a great show.

“Belinda used to sing background for Shaggy in 1995 and she is Jamaican with Canadian heritage,” Kastick explained. “She sings big and powerful like Tessanne and she called me after she heard ‘Hideaway’ to discuss working together,” he said.

Although Kastick is producing an album for Brady, she is also working with Sly & Robbie and Tony Kelly as well. Faraji, on the other hand, whose style is of the soul reggae alternative genre, with songs such as “Come Again” and Sensimellia Love,” has a different connection with Kastick.

“Faraji is like a brother to me while Belinda is a friend that I linked up with,” Kastic said. However, one thing is clear: He is fiercely committed to both singers. “I am fully vested in them,” he said firmly, emphasizing his laser-like focus on solidifying the singers’ respective careers.

Kastick also works with Dorrett Wisdom (Dwisdom), who, he said, “In 1991 she had the hit single ‘First Real Love,’ which was produced by Willie Stewart of the group Third World. Dwisdom has been singing backup over the past 15 years for Beres Hammond and touring with him. She is working on her second album with Harmony House and Kastick is producing a remake of her 1991 hit “First Real Love.”

The music has captured Paul Kastick's body, mind and soul as he gives it his all.

The music has captured Paul Kastick’s body, mind and soul as he gives it his all.

King, who fondly refers to Kastick as “Styk,” said she “cannot imagine being without him.” She speaks highly of the 20 years that she has been working with the gifted musician and is rueful that he doesn’t have “a few clones” due to the intense demand for his indomitable musical skills. “Not only is he super talented as a live drummer and musical director on stage, he is just as talented and innovative in the studio when it comes to drum programming and producing,” she explained. “He’s on top of his game in every way.”

King expressed admiration for Kastick’s tendency to keep current with technology and musical trends while retaining his passion for musical excellence. “He isn’t afraid to say exactly what he thinks because he believes in the integrity of the music, which is why all the top international Jamaican artists’ first choice to work with is Paul.”

Kastick sees great things ahead for both of his singers as he works diligently to expand their musical reach and expose them to a wider audience. At the same time, Kastick is committed to continuing to tour with Priest, producing sweet music with Big Mountain Band, accepting other musical engagements and spending quality time with his family.

Gonzalez, who used to play drums with the Boys Club Band and whose late father was a saxophonist from Puerto Rico, was surprised when he learned that Kastick used to watch him play in their shared hometown of Montego Bay.

“That makes me feel good that I was like a role model to him and I’m happy that Paul went on to follow his dreams and do well,” he said. Gonzalez, who is no longer involved in music and resides in Toronto, Canada, said: “It just goes to show that you should never give up on your dreams.”

Paul Kastick and the members of Big Mountain Band rehearsing.

Paul Kastick and the members of Big Mountain Band having fun while rehearsing.

McWhinney agrees with that sentiment wholeheartedly and credits Kastick with helping him embrace the full scope of his dreams.

“Paul encouraged me to be myself and not try to copy Jamaican reggae. He encouraged me to reach deep into my experiences in life. I can’t stress enough how important it was for me to understand that,” he said. Savoring the richness of their close bond, McWhinney is pleased that as Big Mountain Band returns to the studio to record an album after a long break it will be with Kastick’s involvement.

“I’m so proud and happy to have my brother Paul by my side,” he said. “Paul Kastick is one of those rare examples of talent, professionalism and sincere heart that keeps reggae music alive and well in 2014.” Infused by the comfort of Kastick’s presence for the next phase of the band’s journey he added: “Big Mountain is back.. Big Time….” Undoubtedly, Kastick, who is described by Priest as an “amazingly versatile musician,” would agree.

The sky is the limit for Kastick as the New Year unfolds and his musical expertise expands. it seems that his work ethic will continue to be his strongest asset.

“Paul takes his work very serious: Always organized, early for work, the first in rehearsals, the last to leave, and enthusiastic when touring,” said Priest.

As Kastick continues to demonstrate his highly developed sense of professionalism while thrilling audiences with his vast skills, the world of music will continue to celebrate his tableau of musical passion, genius and excitement, mixed with a spirit of collaboration, all honed and nurtured on the breathtakingly beautiful island of Jamaica, where he grew up and still calls home.–OnPointPess.net

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Tessanne Chin is the new “Voice” winner

Tessanne Chin belting out the late Whitney's Houston's "I Have Nothing."

Tessanne Chin belting out the late Whitney’s Houston’s “I Have Nothing.”

By Carmen Glover

Riding a wave of enthusiastic support from an impressive fan base, Jamaica-born singer Tessanne Chin, 28, was named the season five winner of NBC’s singing contest, “The Voice,” on the Tuesday night finale. Chin, who was coached by Adam Levine during the contest, beat out Jacquie Lee, who was coached by Christina Aguilera and Will Champlin, who was also coached by Levine, to become the newest winner of the popular talent search show.

The highly watched finale took place over a two-day period, beginning at 8:00 p.m. on Monday night as the three finalists belted out various songs designed to show their range and expertise. Chin electrified the crowd with her powerful rendition of the late Whitney Houston’s hit “I Have Nothing,” causing Levine to rise from his seat and state:

” I don’t know what else is left for Tessanne to do. She’s the winner.”  Viewers of the show have voted in large numbers for Chin, and have also encouraged others to watch the show and vote for her. The winner was announced Tuesday night after a recap of the season. Chin could barely contain her excitement when her name was announced.

An emotional Tessanne Chin performs on "The Voice."

An emotional Tessanne Chin performs on “The Voice.”

“Oh my God,” Chin said, when her name was announced. Happy tears slid down her cheeks and she held her face in a combination of joy and shock. Levine hugged her happily while her husband and mother embraced at the edge of the stage. After holding the trophy briefly, Chin sang the single that “The Voice” is releasing on iTunes at 8:00 a.m. on Wednesday. In addition to being named the winner, Chin, who has been a backup singer for reggae star Jimmy Cliff, will be given a record deal by the producers of the show. Chin expressed her “love” and gratitude for Levine and the dedication he has shown in coaching her during the competition  Levine expressed feeling “happiness” when his team wins and he could not disguise his pleasure that Chin emerged as the season five winner. He said often during the completion that she deserved to win.

When the parents were asked how they felt about their children progressing to the finale, Tessanne’s mother, Christine, a musician herself, did not hold back. “I’m very proud of Tessanne,” she said, urging Chin to “be yourself,” while explaining that Chin is representing her family as well as “a nation, Jamaica.” Social media exploded with positive feedback when Chin sang the duet “Love Can Move Mountains,” with multiple award-winning music icon Celine Dion.

Tessanne with her producer Paul Kastick of Big Mountain Records.

Tessanne with her producer Paul Kastick of Big Mountain Records.

Throughout the contest, Chin has won fans far and wide, but Jamaicans across the globe have mobilized en masse to watch diligently each week while reaching out to residents in the U.S. to host various voting parties, since voting was restricted to the U.S. As Chin distinguished herself week after week, her fan base grew steadily while she has thrived, exuding class, dexterity, humility and a fun-filled aura that supporters have found refreshing.

For Paul Kastick, CEO of Groove Galore Muzik Productions and member of the Big Mountain band, who spotted Chin’s talent, nurtured her musical dreams, produced her chart-topping single, and worked tirelessly to get her air play when she was being snubbed by radio programs, her latest achievement comes as no surprise. “Let me tell you, Tessanne is one of the best voices out there right now,” he stated, boldly predicting her victory on Sunday night when he was vacationing in Malaysia. “My team was the original team that worked with her from the ground up. We were there with her from day one, working with her because we could see that she was just a natural with the music,” he said.

Chin’s album, “In Between Words,” has been rising steadily on iTunes, as she continues to revel in the embrace of the U.S. fans. Chin thanked her well-wishers from the “tiny island of Jamaica and her new fans in the U.S,” saying she was “grateful for their support,” throughout her journey on “The Voice.” She also thanked her husband, who she said has “been there” through it all. By winning “The Voice” contest, Chin is now poised to take the musical world by storm, building on her past achievements while enjoying well-deserved, long-overdue recognition on the international stage. Her victory on “The Voice” signifies that she has broadened her appeal, won new hearts and fans who saw her in their living rooms for weeks and fell in love with what she delivered. Well done Tessanne. –OnPointPress.net

 Please follow us on twitter @OnPointPress_, Facebook: Carmen Glover.